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May. 10th, 2005 09:43 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
spokeA couple of notes:
This is not entirely finished, and will be edited at some point.
It is (not entirely) Lacey's fault.
I was insane before I started and working on this has not helped. ;p
Any suggestions for songs for other characters? O:)
Fat Bottom Girls
Are you gonna take me home tonight
Ah down beside that red firelight
Are you gonna let it all hang out
Fat bottomed girls
You make the rockin’ world go round
~ On a table in a darkened room, there is a Duel Monsters card. As the music begins, the card rises in a small pool of light and begins spinning, showing tiny glimpses of scenes where the monster should be. All of the scenes are moving too fast to be seen.
Yet. ~
Hey I was just a skinny lad,
Never knew no good from bad
~ Tiny Marik, innocently wandering around the underground labyrinths of the Tombkeepers. Doing innocent-like things such as playing with flowers. And a top, which he is concentrating on as if he can will it to keep spinning longer than Ishizu’s.
Malik, beaming innocently : Oh, what’s this? It’s so shiny and sharp… can I have this?
And knives.
And older Tombkeepers who are looking like maybe it wasn’t such a good idea to let the heir play with knives, no matter how nicely he asked.
And looking innocently up at Ishizu and their Father, who is demanding to know why he was trying to kill his relatives, while Ishizu‘s expression is more ‘See? I told you you‘d get in trouble!’
Malik: But we were just playing a game! ~
But I knew life before I left my nursery
~ Still little Malik, looking up at Rishid with happy adoring eyes as he reads him a story. A story that seems to be disturbing Ishizu, who is listening in at the door. ~
Left alone with big fat fanny
She was such a naughty nanny
Heap big woman you made a bad boy out of me
Hey hey!
*
~ Ishizu standing in much the same position as she was before, older but not by that much, all things considered. Her face slowly goes red as she listens, and starts to stalk off with an ‘I’m going to tell Father!!’ expression.
And stops as she hears a particularly happy noise from behind her. Wincing guilty, she imagines her Father reacting to what she was going to tell him - and her shoulders slump as she mopes back the other way, pausing to stick her tounge out hatefully at Malik’s door as she passes it.
Malik, inside, really could not care less even if he had known. Nor could Rishid, which he would surely tell her if his mouth had not been full at the moment, consequences of Malik finding a really interesting book in their libraries. ~
I’ve been singing with my band,
across the wire across the land
I seen every blue eyed floozy on the way
~ Malik in the robe from the Rare Hunters, making with the world-traveling bit. In many places seeing pretty people and doing things that would give Ishizu heart-attacks, and make his Father ground him - if that unfortunate were still there to do so. Ha!
Including every city in the Mideast that he thinks might have rare cards, and also anyone remotely related to the Tombkeepers. Best not to picture what happened to them, suffice to say that Rishid still has nightmares, and sand in places that would give him nightmares if he weren’t already having them. And London and Madrid and I think you get the picture…
And at least one incident in Paris with Malik very badly dressed, which myseteriously contains subtitles.
Malik smiles proudly and slightly menacingly : Well? What do you think?
Rishid, with a pained expression: Master Malik.
Malik glares: Answer me!
Rishid, with an expression that says he’d rather be back playing games with the former Tombkeepers, speaks in a bit of a rush: You look like you’ve been raiding your sister’s closet again and don’t know how to wear the things you found in it.
Malik glares. And yells things that are not subtitled and don’t need to be as the Rod activates and well. Rishid knew what he was getting into when he said it, didn’t he? ~
But their beauty and their style
Went kind of smooth after a while
~ Actually, many incidents result in Malik’s being slapped for things that the persons spoken to did not want to hear casually and in the middle of the day. However, using the Rod to get around rejection is …not entirely satisfying, what with the resulting lack of personality.
Also, some people resist being controlled.
Joey, for example. Grabbing the Rod and braining him with it. Only to have Rishid yank the Rod out of his hands and tell him to leave. Just leave. Don’t even ask. Just leave.
And Seto attempting to have him escorted out of the building, only to discover that henchmen, being fairly weak-willed, are very susceptiable to the Rod. … So he kicks Malik out himself, and shouts after him to stay out and go pester Yugi with his magic tricks! ~
Take me to them dirty ladies every time
~ Rishid comforting a very pouty and moody Malik, who is becoming increasingly angry with the way people react to him. Cuddly! Except not.
Malik and Rishid hiding around a corner, with expressions very much like little boys caught somewhere they shouldn’t be, as Ishizu goes into the building they were about to go into.
Rishid : Was she going in there because she’s looking for us? Or because she was just …going in there?
Malik clutches his head with frightened eyes, the Rod glinting in one hand, and whispers: I don’t want to think about it! Let’s just leave!
Meeting Bakura. On that bike. And discovering that some people do not entirely object to being controlled, or letting other persons be controlled, and well. …Although Rishid does have to keep an eye for their tendancy to try and steal the Rod while Malik is exhausted. ~
Oh won’t you take me home tonight?
Oh down beside your red firelight
Oh and you give it all you got
Fat bottomed girls you make the rockin’ world go round
Fat bottomed girls you make the rockin’ world go round
Hey listen here
Now your mortgages and homes
I got stiffness in the bones
Ain’t no beauty queens in this locality (I tell you)
Oh but I still get my pleasure
Still got my greatest treasure
Heap big woman you done made a big man of me
Now get this
Oh won’t you take me home tonight? (please)
Oh down beside your red firelight
Oh and you give it all you got
Fat bottomed girls you make the rockin’ world go round
Fat bottomed girls you make the rockin’ world go round
Get on your bikes and ride!
~ And the scenes begin running faster and faster as the camera pans out to show the card again, leaving us with a last glimpse of what might be Malik challenging Yugi to a bike race that ends with chicken near a cliff.
And Malik laughing his ass off. With no sign of so much as the other bike.
And the others coming up behind them to see what’s happened, Rishid looking headachey and Ryou politely not-laughing and Jou looking like he’s going to try and kick all their asses anyway… ~
This is not entirely finished, and will be edited at some point.
It is (not entirely) Lacey's fault.
I was insane before I started and working on this has not helped. ;p
Any suggestions for songs for other characters? O:)
Fat Bottom Girls
Are you gonna take me home tonight
Ah down beside that red firelight
Are you gonna let it all hang out
Fat bottomed girls
You make the rockin’ world go round
~ On a table in a darkened room, there is a Duel Monsters card. As the music begins, the card rises in a small pool of light and begins spinning, showing tiny glimpses of scenes where the monster should be. All of the scenes are moving too fast to be seen.
Yet. ~
Hey I was just a skinny lad,
Never knew no good from bad
~ Tiny Marik, innocently wandering around the underground labyrinths of the Tombkeepers. Doing innocent-like things such as playing with flowers. And a top, which he is concentrating on as if he can will it to keep spinning longer than Ishizu’s.
Malik, beaming innocently : Oh, what’s this? It’s so shiny and sharp… can I have this?
And knives.
And older Tombkeepers who are looking like maybe it wasn’t such a good idea to let the heir play with knives, no matter how nicely he asked.
And looking innocently up at Ishizu and their Father, who is demanding to know why he was trying to kill his relatives, while Ishizu‘s expression is more ‘See? I told you you‘d get in trouble!’
Malik: But we were just playing a game! ~
But I knew life before I left my nursery
~ Still little Malik, looking up at Rishid with happy adoring eyes as he reads him a story. A story that seems to be disturbing Ishizu, who is listening in at the door. ~
Left alone with big fat fanny
She was such a naughty nanny
Heap big woman you made a bad boy out of me
Hey hey!
*
~ Ishizu standing in much the same position as she was before, older but not by that much, all things considered. Her face slowly goes red as she listens, and starts to stalk off with an ‘I’m going to tell Father!!’ expression.
And stops as she hears a particularly happy noise from behind her. Wincing guilty, she imagines her Father reacting to what she was going to tell him - and her shoulders slump as she mopes back the other way, pausing to stick her tounge out hatefully at Malik’s door as she passes it.
Malik, inside, really could not care less even if he had known. Nor could Rishid, which he would surely tell her if his mouth had not been full at the moment, consequences of Malik finding a really interesting book in their libraries. ~
I’ve been singing with my band,
across the wire across the land
I seen every blue eyed floozy on the way
~ Malik in the robe from the Rare Hunters, making with the world-traveling bit. In many places seeing pretty people and doing things that would give Ishizu heart-attacks, and make his Father ground him - if that unfortunate were still there to do so. Ha!
Including every city in the Mideast that he thinks might have rare cards, and also anyone remotely related to the Tombkeepers. Best not to picture what happened to them, suffice to say that Rishid still has nightmares, and sand in places that would give him nightmares if he weren’t already having them. And London and Madrid and I think you get the picture…
And at least one incident in Paris with Malik very badly dressed, which myseteriously contains subtitles.
Malik smiles proudly and slightly menacingly : Well? What do you think?
Rishid, with a pained expression: Master Malik.
Malik glares: Answer me!
Rishid, with an expression that says he’d rather be back playing games with the former Tombkeepers, speaks in a bit of a rush: You look like you’ve been raiding your sister’s closet again and don’t know how to wear the things you found in it.
Malik glares. And yells things that are not subtitled and don’t need to be as the Rod activates and well. Rishid knew what he was getting into when he said it, didn’t he? ~
But their beauty and their style
Went kind of smooth after a while
~ Actually, many incidents result in Malik’s being slapped for things that the persons spoken to did not want to hear casually and in the middle of the day. However, using the Rod to get around rejection is …not entirely satisfying, what with the resulting lack of personality.
Also, some people resist being controlled.
Joey, for example. Grabbing the Rod and braining him with it. Only to have Rishid yank the Rod out of his hands and tell him to leave. Just leave. Don’t even ask. Just leave.
And Seto attempting to have him escorted out of the building, only to discover that henchmen, being fairly weak-willed, are very susceptiable to the Rod. … So he kicks Malik out himself, and shouts after him to stay out and go pester Yugi with his magic tricks! ~
Take me to them dirty ladies every time
~ Rishid comforting a very pouty and moody Malik, who is becoming increasingly angry with the way people react to him. Cuddly! Except not.
Malik and Rishid hiding around a corner, with expressions very much like little boys caught somewhere they shouldn’t be, as Ishizu goes into the building they were about to go into.
Rishid : Was she going in there because she’s looking for us? Or because she was just …going in there?
Malik clutches his head with frightened eyes, the Rod glinting in one hand, and whispers: I don’t want to think about it! Let’s just leave!
Meeting Bakura. On that bike. And discovering that some people do not entirely object to being controlled, or letting other persons be controlled, and well. …Although Rishid does have to keep an eye for their tendancy to try and steal the Rod while Malik is exhausted. ~
Oh won’t you take me home tonight?
Oh down beside your red firelight
Oh and you give it all you got
Fat bottomed girls you make the rockin’ world go round
Fat bottomed girls you make the rockin’ world go round
Hey listen here
Now your mortgages and homes
I got stiffness in the bones
Ain’t no beauty queens in this locality (I tell you)
Oh but I still get my pleasure
Still got my greatest treasure
Heap big woman you done made a big man of me
Now get this
Oh won’t you take me home tonight? (please)
Oh down beside your red firelight
Oh and you give it all you got
Fat bottomed girls you make the rockin’ world go round
Fat bottomed girls you make the rockin’ world go round
Get on your bikes and ride!
~ And the scenes begin running faster and faster as the camera pans out to show the card again, leaving us with a last glimpse of what might be Malik challenging Yugi to a bike race that ends with chicken near a cliff.
And Malik laughing his ass off. With no sign of so much as the other bike.
And the others coming up behind them to see what’s happened, Rishid looking headachey and Ryou politely not-laughing and Jou looking like he’s going to try and kick all their asses anyway… ~
